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    Übersetzung im Kontext von „Hollywood-Films.“ in Deutsch-Englisch von Just stop and think about the average B-Grade Hollywood Movie. Dani, das ist ein. This app is your one stop shop for best hot & bold B Grade Bollywood, Hollywood & Indian regional movies or free. If you want to scan through the huge library of. The movie's debut is a victory for the slew of gender-swapping spinoffs and plotted by Hollywood studios, and launches two years after the big-budget, the previous three films likewise earned some variation of a B grade.

    The reverberations of Easy Rider could be felt in such pictures, as well as in a host of theatrical exploitation films. But its greatest influence on the fate of the B movie was less direct—by , the major studios were catching on to the commercial potential of genres once largely consigned to the bargain basement.

    Rosemary's Baby had been a big hit, but it had little in common with the exploitation style. Warner Bros. In William Paul's description, it is also "the film that really established gross-out as a mode of expression for mainstream cinema.

    The Exorcist made cruelty respectable. By the end of the decade, the exploitation booking strategy of opening films simultaneously in hundreds to thousands of theaters became standard industry practice.

    Described by Paul as "essentially an American-International teenybopper pic with a lot more spit and polish", it was 's third-biggest film and, likewise, by far the highest-earning teen-themed movie yet made.

    Most of the B-movie production houses founded during the exploitation era collapsed or were subsumed by larger companies as the field's financial situation changed in the early s.

    Even a comparatively cheap, efficiently made genre picture intended for theatrical release began to cost millions of dollars, as the major movie studios steadily moved into the production of expensive genre movies, raising audience expectations for spectacular action sequences and realistic special effects.

    Their disaster plots and dialogue were B-grade at best; from an industry perspective, however, these were pictures firmly rooted in a tradition of star-stuffed extravaganzas.

    The Exorcist had demonstrated the drawing power of big-budget, effects-laden horror. But the tidal shift in the majors' focus owed largely to the enormous success of three films: Steven Spielberg 's creature feature Jaws and George Lucas's space opera Star Wars had each, in turn, become the highest-grossing film in motion picture history.

    Even as the U. Double features were now literally history—almost impossible to find except at revival houses.

    One of the first leading casualties of the new economic regime was venerable B studio Allied Artists, which declared bankruptcy in April The studio was sold off and dissolved as a moviemaking concern by the end of Despite the mounting financial pressures, distribution obstacles, and overall risk, many genre movies from small studios and independent filmmakers were still reaching theaters.

    Horror was the strongest low-budget genre of the time, particularly in the slasher mode as with The Slumber Party Massacre , written by feminist author Rita Mae Brown.

    In , New Horizons released a critically applauded movie set amid the punk scene written and directed by Penelope Spheeris. The New York Times review concluded: " Suburbia is a good genre film.

    Larry Cohen continued to twist genre conventions in pictures such as Q a. Q: The Winged Serpent ; , described by critic Chris Petit as "the kind of movie that used to be indispensable to the market: an imaginative, popular, low-budget picture that makes the most of its limited resources, and in which people get on with the job instead of standing around talking about it".

    In the words of one newspaper critic, it was a "shoestring tour de force ". One of the most successful s B studios was a survivor from the heyday of the exploitation era, Troma Pictures , founded in Troma's best-known production is The Toxic Avenger ; its hideous hero, affectionately known as Toxie, was featured in several sequels and a TV cartoon series.

    The video rental market was becoming central to B film economics: Empire's financial model relied on seeing a profit not from theatrical rentals, but only later, at the video store.

    The growth of the cable television industry also helped support the low-budget film industry, as many B movies quickly wound up as "filler" material for hour cable channels or were made expressly for that purpose.

    By , the cost of the average U. Three more—the science-fiction thriller Total Recall , the action-filled detective thriller Die Hard 2 , and the year's biggest hit, the slapstick kiddie comedy Home Alone —were also far closer to the traditional arena of the Bs than to classic A-list subject matter.

    Surviving B movie operations adapted in different ways. Releases from Troma now frequently went straight to video. New Line, in its first decade, had been almost exclusively a distributor of low-budget independent and foreign genre pictures.

    In , New Line was sold to the Turner Broadcasting System ; it was soon being run as a midsized studio with a broad range of product alongside Warner Bros.

    A New York Times reviewer found that the initial installment qualified as "vintage Corman At the same time as exhibition venues for B films vanished, the independent film movement was burgeoning; among the results were various crossovers between the low-budget genre movie and the "sophisticated" arthouse picture.

    The film's imagery was another matter: "On its scandalizing surface, David Cronenberg's Crash suggests exploitation at its most disturbingly sick", wrote critic Janet Maslin.

    This result mirrored the film's scrambling of definitions: Fine Line was a subsidiary of New Line, recently merged into the Time Warner empire—specifically, it was the old exploitation distributor's arthouse division.

    New York Times critic A. Scott warned of the impending "extinction" of "the cheesy, campy, guilty pleasures" of the B picture. On the other hand, recent industry trends suggest the reemergence of something like the traditional A-B split in major studio production, though with fewer "programmers" bridging the gap.

    The economic model was deliberately low-rent, at least by major studio standards. It's also encouraging filmmakers to shoot digitally—a cheaper process that results in a grittier, teen-friendly look.

    And forget about stars. Of Atomic's nine announced films, not one has a big name". As the Variety report suggests, recent technological advances greatly facilitate the production of truly low-budget motion pictures.

    The development of digital cameras and postproduction methods now allow even low-budget filmmakers to produce films with excellent, and not necessarily "grittier", image quality and editing effects.

    At the same time, [since the early s], the quality of digital filmmaking has improved dramatically.

    In a similar way, Internet sites such as YouTube have opened up entirely new avenues for the presentation of low-budget motion pictures. The terms C movie and the more common Z movie describe progressively lower grades of the B movie category.

    The terms drive-in movie and midnight movie , which emerged in association with specific historical phenomena, are now often used as synonyms for B movie.

    The C movie is the grade of motion picture at the low end of the B movie, or—in some taxonomies—simply below it.

    The "C" in the term then does double duty, referring not only to quality that is lower than "B" but also to the initial c of cable. Helping to popularize the notion of the C movie was the TV series Mystery Science Theater —99 , which ran on national cable channels first Comedy Central , then the Sci Fi Channel after its first year.

    Updating a concept introduced by TV hostess Vampira over three decades before, MST3K presented cheap, low-grade movies, primarily science fiction of the s and s, along with running voiceover commentary highlighting the films' shortcomings.

    Director Ed Wood has been called "the master of the 'C-movie ' " in this sense, although Z movie see below is perhaps even more applicable to his work.

    The term Z movie or grade-Z movie is used by some to characterize low-budget pictures with quality standards well below those of most B and even C movies.

    Most films referred to as Z movies are made on very small budgets by operations on the fringes of the commercial film industry.

    The micro-budget "quickies" of s fly-by-night Poverty Row production houses may be thought of as Z movies avant la lettre.

    Latter-day Zs are often characterized by violent, gory or sexual content and a minimum of artistic interest; much of which is destined for the subscription TV equivalent of the grindhouse.

    Psychotronic movie is a term coined by film critic Michael J. Weldon—referred to by a fellow critic as "the historian of marginal movies"—to denote the sort of low-budget genre pictures that are generally disdained or ignored entirely by the critical establishment.

    According to Weldon, "My original idea with that word is that it's a two-part word. I very quickly expanded the meaning of the word to include any kind of exploitation or B-movie.

    Use of the term tends to emphasize a focus on and affection for those B movies that lend themselves to appreciation as camp.

    B-television is the term used by the German media scholar Heidemarie Schumacher in her article From the True, the Good, the Beautiful to the Truly Beautiful Goods—audience identification strategies on German "B-Television" programs as an analogy to "B-movie" to characterize the development of German commercial television, which adopted "the aesthetics of commercials" with its "inane positiveness radiated by every participant, the inclusion of clips, soft focus, catchy music" as well as "promotion of merchandise through product placement".

    Newly established commercial stations, operating without the burden of societal legitimacy, focused solely on profitability.

    To establish and maintain viewer loyalty these stations broadcast reality shows, sensational journalism, daily soap operas, infotainment programs, talk shows, game shows and soft pornography.

    From Wikipedia, the free encyclopedia. This article is about the film type. For other uses, see B movie disambiguation.

    Low-budget commercial film genre. Main article: B movies Hollywood Golden Age. For British B movies, see Quota quickies. Main article: B movies in the s.

    Main articles: B movies exploitation boom and Midnight movie. Main article: B movies since the s.

    Main article: Z movie. Main article: B-television. Encyclopedia Britannica. Retrieved August 4, See also Schatz , pp. Taves like this article adopts the usage of "programmer" argued for by author Don Miller in his study B Movies New York: Ballantine.

    As Taves notes, "the term programmer was used in a variety of different ways by reviewers" of the s p. Some present-day critics employ the Miller—Taves usage; others refer to any B movie from the Golden Age as a "programmer" or "program picture".

    In its peak year, , Grand National did produce around twenty pictures of its own. Finler lists The Country Girl as , when it made most of its money, but it premiered in December The Seven Year Itch replaces it in this analysis the two films happen to be virtually identical in length.

    See also Shapiro , pp. Rutgers University Press. See also p. It appears Corman made at least one true B picture—according to Arkoff, Apache Woman , to Corman's displeasure, was handled as a second feature Strawn [], p.

    DVD Verdict. Archived from the original on October 20, Retrieved November 17, Hayward, cited in Biskind , p. Finler lists Hello, Dolly!

    The Owl and the Pussycat , 51 minutes shorter, replaces it in this analysis. For purchase of Ivanna : Di Franco , p. See Reynaud also for Loden's fundraising efforts.

    Sense of Cinema. Retrieved December 29, For its influence: Sapolsky and Molitor , p. For its influence and debt to Black Christmas : Rockoff , pp.

    Box Office Mojo. Archived from the original on December 30, Retrieved January 8, Archived from the original on December 6, Dick Tracy literally had been B movie material—the character was featured in four low-budget RKO films in the s.

    For how espionage and crimebusting thrillers were long "widely regarded as nothing more than B-movie fodder," see Chapman , pp.

    For details of the film's distribution, see Lewis , pp. Archived from the original on January 17, Retrieved January 2, Retrieved August 13, Saroyan, Strawberry May 6, Archived from the original on February 25, Retrieved June 22, Spectrum Strategy Consultants.

    Archived from the original PDF on February 3, Retrieved April 27, Film Threat. Archived from the original on March 10, Retrieved October 20, Archived from the original on October 12, Retrieved December 26, Utter Trash.

    Archived from the original on September 11, Schüren Verlag, Marburg. Archer, Eugene Auty, Chris Balio, Tino []. Bristol, UK, and Chicago: Intellect.

    William Johnson, pp. Englewood Cliffs, N. Hollywood Films of the Seventies. Canby, Vincent Chapman, James Jefferson, N. New York: Da Capo.

    The Story of Film. New York: Thunder's Mouth. London: Netribution. Denisoff, R. Serge, and William D.

    Romanowski Risky Business: Rock in Film. New Brunswick, N. Poshek Fu and David Desser, pp. Philip, ed. The Movie World of Roger Corman.

    New York and London: Chelsea House. Epstein, Edward Jay New York: Random House. The Hollywood Story , 3d ed. London and New York: Wallflower.

    London: B. Russ Meyer—The Life and Films. Haines, Richard W. The Moviegoing Experience, — Dallas: Heritage Capital. Manchester, UK: Headpress. Durham, N.

    The Warner Bros. New York: Crown. The Columbia Story. London: Hamlyn. Midnight Movies. Mark Jancovich, pp. Iain Robert Smith, pp. Nottingham: Scope.

    Hurd, Mary G. Women Directors and Their Films. Westport, Conn. The RKO Story. New York: Warner. American Independent Cinema.

    London and New York: I. Beasts and Behemoths: Prehistoric Creatures in the Movies. Lanham, Md. Julia R. Dobrow, pp. Hillsdale, N.

    Film Genre: Hollywood and Beyond , 2d ed. Edinburgh: Edinburgh University Press. Santa Monica, Calif. Blaxploitation Films of the s: Blackness and Genre.

    New York and London: Routledge. Obituaries in the Performing Arts, Transforming the Screen: — New York et al. Hollywood v. Philip Westerns in a Changing America, — Lyons, Arthur Mank, Gregory William Mathijs, Ernest, and Xavier Mendik,eds.

    The Cult Film Reader. New York: Algora. New York: E. New York: W. Morrow, John Mottram, James New York: Macmillan.

    New York: St. Focus on the Western. O'Connor, John J. Oppermann, Michael Ottoson, Robert Metuchen, N. New York: Columbia University Press.

    Prince, Stephen Berkeley: University of California Press. Time Out Film Guide , 14th ed. London et al.

    Directing: Film Techniques and Aesthetics , 4th ed. Burlington, Mass. Votes: 1, Not Rated 91 min Action, Crime, Thriller. After four Asian schoolgirls are drugged and gangraped by members of a crime syndicate, they train to hunt them down and exact revenge.

    Votes: R 88 min Action, Adventure, Comedy. Survivors escape to a deserted atoll, after their boat during a Semester at Sea ship is sunk by a mutated two-headed shark.

    But when the atoll starts flooding, no one is safe from the double jaws of the monster. Votes: 6, R 86 min Action, Adventure, Comedy.

    The residents of a small town team up to kill a group of evolved sharks that can swim in sand, and are terrorizing local beaches. Votes: 4, TV 89 min Action, Adventure, Comedy.

    As a mutated, three-headed, great white shark eats its way from one end of the ship to the next, the passengers have to fight the deadly predator using anything they can find.

    Votes: 2, R 85 min Action, Adventure, Comedy. An animal smuggling deal goes wrong, resulting in a large shark escaping into the swampy backwoods river.

    Not Rated 95 min Comedy. An enterprising college student agrees to run his professor's Las Vegas car wash to avoid flunking out of school.

    But it's Vegas gone wild when he decides to staff it with gorgeous bikini-clad girls. Ritcherson , Ashley Park. Unrated 91 min Comedy, Horror, Sci-Fi.

    When a nerdy sorority girl falls in love with a zombie, it's only a matter of time before a zombie apocalypse is unleashed on campus.

    The sorority girl discovers that weed is the cure--now PG 84 min Comedy. Unrated 88 min Comedy. That is, until the assistant dean forces the Alphas to share their TV 92 min Action, Adventure, Comedy.

    A giant crocodile goes head to head with a giant anaconda. The town Sheriff must find a way to destroy the two monsters before they kill the whole town.

    Director: A. R 77 min Comedy, Horror. A fun weekend turns into madness and horror for a bunch of groupies looking for fun in a beaver infested swamp.

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    While it is not as popular as other thrillers, Hawas makes it to our list as it was among those films that displayed some courage.

    Directed by Karan Razdan, the film is also a loose adaptation of the Hollywood thriller Unfaithful. Fire was the first Indian film to feature a lesbian relationship, however, the thriller Girlfriend offers a bold approach towards homosexuality which is considered not just a taboo in India but also illegal.

    Directed by Karan Razdan, the plot of the film revolves around a love triangle between the three main characters portrayed by Isha Koppikar, Amrita Arora, and Aashish Chaudhary.

    The film also features a sensuous lovemaking scene between the two lead actresses. The film created some controversy owing to its plot revolving around a Catholic priest and some topless scenes.

    The story of the film was inspired by an incident in in which a priest was convicted of sexual harassment and murder ending in a death sentence. The film stars Shiney Ahuja and Seema Rahmani in the lead roles.

    Love Sex Aur Dhoka is a anthology film featuring three different short stories. Directed by Dibanker Banerjee, the film revolves around three sub plots such as MMS scandals, sting operations, and honor killings.

    The film is entirely shot on a digicam and this makes it the first film in Bollywood presented in found footage format.

    Although the film is touted to be a biopic on Silk Smitha, the filmmakers have stated that the film is not entirely based on Silk alone but also some of her other contemporaries like Disco Shanti.

    The thriller film Hate Story is basically a story of vengeance. However, considering the few intimate scenes and the bold content throughout the film, Hate Story earns a place in the list of best A films of Bollywood.

    Directed by Vivek Agnihotri, Hate Story tells the story of a young girl who seeks revenge against a powerful man. Jism 2 is not a sequel to the first thriller film Jism.

    However, it takes the legacy of Jism franchise featuring a story in an erotic manner. Directed by Pooja Bhatt, the film tells the story of a porn star who is hired by Indian Intelligence agents to trap a dreaded assassin.

    The twist in the tale is the fact that the assassin was the former lover of the porn star. Poonam Pandey became a heartthrob for a lot of young boys out there after her bold statements and pictures on social media.

    Since then, she has been gaining followers and it was only a matter of time that she would be cast as a lead actress in a Bollywood film.

    The wait ended with Nasha, where she is romancing with a teenage boy. The film stars Shivam Patil as the teenage boy alongside Poonam Pandey.

    Nasha is directed by Amit Saxena. Mastram is a fictional biography film featuring the life of an anonymous author called Mastram.

    Directed by Akhilesh Jaiswal, the film tells the story of a bank clerk who is also an aspiring writer. His persistent effort to succeed in writing leads him to write stories in Hindi and eventually, his work becomes popular and his pen name Mastram gains acknowledgment as a pornographic writer.

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